      
 
    Hello  and welcome to the March 2024 issue of Aphelion!
 
    Well,  my first month of full retirement has been relatively painless. Of
    course there  is still paperwork to be filed on various aspects of the
    retirement process,  but most of that requires a full month to pass before
    it can be completed. It’s  difficult to keep from panicking as what was once
    my weekly payday passes  without that “safety belt” of a paycheck showing up
    in my bank accounts.  However, I made sure that there was at least five
    months of living expenses  stashed away before I filed for retirement. I
    doubt seriously that my pension will  take that long to start
    paying out. Even the normal emergencies  that life has a way of throwing at
    one have been prepared for as best they can  be. I am adjusting to the
    absence of awakening to an alarm clock every day, the  once-daily commute to
    and from the factory being unnecessary, and the lack of  workaday stress.
    Retirement is rapidly becoming fun!
 
    My  backlog of Aphelion short story submissions has now dwindled to roughly
    two and  a half months’ worth of emails—with more arriving in my mailbox
    almost every  day. That’s a good thing. Another good thing is that now I
    have time to get to  the submissions much faster. In fact, I expect to begin
    processing April’s  short stories even before readers have a chance to see
    this issue  go online. I’ll also get a head start on the cover
    artwork for upcoming issues.
 
    Speaking  of which, I’ve been learning the basics of several new-to-me
    computer graphics  programs to use in crafting the Aphelion covers this
    year. Some of them aren’t  as intuitive as I would like, but I’ve been
    fortunate enough to find tutorials  for them on YouTube. However, a few of
    the most detailed ones are not recorded  in languages I understand. They
    are, in any case, worth watching just so I can  see the mouse clicks for the
    various command functions. Still useful, despite  the language barrier.
 
    2024  is going to be a special year for Aphelion, folks. In November we will
    witness  our 300 th issue go live! I want to thank all the past
    and present  staff members, as well as all our writers and readers, for
    keeping the zine  going for so many years! Without each and every one of
    you, Aphelion would not  be possible. I thank you all for making this
    possible!
 
    I  do hope that everyone has been enjoying the increase in the number of
    short  stories per issue this year. I wanted to reduce the backlog of story
    submissions and reduce the turnaround time between submissions and
    publication.  What good is having a year’s worth of submissions in the bank,
    if writers get  discouraged by having to wait months and months to see their
    stories go online.  No point in driving the writers to go somewhere else out
    of frustration. The  entire point of Aphelion is for the editors and readers
    to critique the stories  so that the writers can learn where they need to
    improve. That’s one reason I  keep harping on about reading
    
        and following
    
    the submissions guidelines  of every market where they submit their work.
    After all, every pro publisher I  know of automatically
    rejects, without reading, any submission which ignores their
    submission guidelines. You can’t sell anything  to the pro publishers if
    they throw your submission in the trash. Guidelines
    
        are not merely suggestions!
    
    They are, in essence, the first level of  how publishers weed out
    submissions which will take time away from seeing work  by more
    professional, and for the pros—more profitable writers. In this case,
    wasting an editor’s time is indeed a mortal sin. Don’t do it!
 
The online streaming shows "Stupid
O'clock" and "Last Man Standing" have been uploaded live to YouTube as
well as several Facebook pages for over two years now. They are
basically live-streaming chat shows covering a range of topics, modeled
on the types of conversations people have after hours at SF&F
conventions. Joe McKeel and I have archives of past shows on our own
YouTube channels. Check 'em out if that sounds like something you'd
enjoy I've put links in our Features section that will take you to the
YouTube archives of both shows. 
With all that said, it's high time I
shut up and let you get to reading.   
Enjoy yourselves, 
Dan 
ON
THE COVER 
Title: Infrared VISTA view of a stellar nursery in Monoceros 
Courtesy: ESO/J. Emerson/VISTA. 
Acknowledgment: Cambridge Astronomical Survey Unit 
 
 
 
 
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